Beyond its famous fashion & photography festival, Hyères’ Villa Noailles hosts throughout the year a number of photography, fashion, design, architecture and film-related events.
For the annual photography commission, fashion photographer Cécile Bortoletti captured the Mediterranean flora of Hyères over the course of one year, her visions now revealed to us in a new exhibition, “sur-nature”…
Sur-Nature exhibition poster. Picture by René Habermacher.
Antoine Asseraf: The title of the exhibition is “sur-nature” [“over-nature”]…
Cecile Bortoletti: It’s a contraction of “super-nature.”
AA: But there’s also a reference to the super-imposition which takes place in some of the pictures…
CB: It was rather complex to get a complete vision of nature around Hyères, very bountiful, luxurious…
I live in the countryside, i take pictures of special moments, but to do something like this, like a one year long walk, I had never done. I had done a series of trees at night for a UNESCO/CNRS exhibit about black matter, with a more scientific aspect, but it wasn’t so scattered in time, with all the seasons, like this project.
RH: What was the challenge compared to your editorial work ?
CB: Managing time… I’ve never worked one year on a project. Even if you know the end date, the exhibition date, it’s difficult to manage it. When you work in fashion, you’re on an addict schedule, everything is last minute, very fast.
And here i was working alone, with a lot of time, many kilometers to explore, time to think, changing weather and moods, and each time I came I thought it was better than the previous time.
It’s a matter of stimuli. I learned many things but I was happy that it ended, it was very intense.
Sur-Nature exhibition view. Photo by René Habermacher.
AA: You’ve come to Hyères for a long time… did some things still surprise you ?
CB: Now I know it much better, I can find my way, and I’ve discovered the salt marshes and its flora, with impressive survival strategies. I didn’t know about that at all, it was a bit like desert flowers…They’re emotional because they look fragile but in fact they’re tough.
As a whole the exhibit shows the fragility of nature, because many times one week later flowers I had shot would no longer be there.
Cécile Bortoletti and the salt marsh flowers. Photo by René Habermacher.