Presenting… LA MAIN DANS LE SAC / CAUGHT RED HANDED

July 1st, 2011

For your embeddable pleasure, a story of bags, fashion, crime, and more bags, commissioned by Vogue Italia.

Who is hiding behind those Prada shades ? What is she doing ? Will she get caught ?

 

THE STIMULEYE
presents

A Short Film With
JAMIN PUECH

for
VOGUE ITALIA

LA MAIN DANS LE SAC
“Caught red-handed”

Directed by
Antoine Asseraf & René Habermacher

Styling by
Michaela Dosamantes
Assisted by
Alexia Hollinger

Starring
Quinta Witzel @ IMG Paris

Make-Up
Tracy Alfajora

Hair
Romina Manenti @ Airport
Assisted by
Masako Hayashi

Filmed at
Prunier, Paris

Music by
Shane Aspegren & Lori Schonberg
of
The Berg Sans Nipple

Thank You:
Lisa Kajita
Nicolas Barruyer
Erotokritos Antoniadis
Yoann Lemoine


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TEASER – LA MAIN DANS LE SAC

June 20th, 2011

Bags ! Lanvin ! Prada ! Crime ! Dries Van Noten ! More Bags !

It’s LA MAIN DANS LE SAC / CAUGHT RED HANDED !

TEASER - LA MAIN DANS LE SAC by Antoine Asseraf & Rene Habermacher, A Short Film With Jamin Puech for Vogue Italia.

Coming July 1st on the THE STIMULEYE, playing exclusively on Vogue Italia, our short film commissioned by Vogue Italia for bag designers Jamin Puech, “LA MAIN DANS LE SAC / CAUGHT RED HANDED”.

La Main Dans Le Sac – Website
La Main Dans Le Sac – YouTube Teaser


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RICHARD GRAY “owns his own teeth”

June 9th, 2011

Richard Gray of the Sunday Times and 1O & 1O MEN talks to Filep Motwary

Richard Gray is a Taurean – but don’t hold that against him. He studied modern languages at University but hasn’t spoken a word of it since. He loves fashion and carbs and not necessarily in that order.

He was recently followed into the men’s room at Claridges by Morrissey but nothing came of it. Richard owns his own teeth. He is not a virgin. He is however verging on the ridiculous. He writes lots of stuff on fashion for Sunday Times Style, 10 and 10 Men. He’s open to bribery.

richard-gray_motwary-blog
Richard desperately tries to hide a hang over behind his shades in Barcelona at the opening of the W hotel.
Photograph by Alastair Jamieson

RICHARD GRAY: Here I am

FILEP MOTWARY: Oh hi there, how are you Richard?
I’m great thank you. And you? This damn London drizzle is doing nothing for my hair however. It looks like a damn (Prada) mohair jumper…

Hahah, I saw your video review on Prada’s summer 2011 collection a few minutes ago. I was impressed how you pointed out its references. Really it reminded you of menswear?
And there it is: look at my forehead – it’s fuking scrotal! Anyway, yes, Mrs Prada says she gets dressed from the ground up – so shoes first – it’s a starting point for her. The shoes, the multi-layered ‘platforms’ took their cue from menswear, no doubt about that. The clothes, of course, came from elsewhere. BUT this perverted conceit, that cotton is a luxury fabric, is odd (in a good way). It’s political. She’s political. The price of cotton is through the roof! Rice, oil, rubber: the world’s commodity prices are skewed. This was perhaps on Mrs Prada’s mind at the time. She has a lot on her mind.

It seems that you are quite fond of Prada, why?
I think she only finds peace in original thought. There aren’t many fashion designers who share the same mind-space: Rei, Junya, Marc, Raf – we all know who they are. I also think there is something ultimately divisive about a house that caters to the bourgeois – a collective marked by conformity – yet bastardises old ideas/ideals. This is sinister. *Shiver goes down author’s spine*

I completely agree with you! On the other hand, I wish to ask you about the new and upcoming designers-if there are any since everything is fading away so rapidly. How difficult is for someone new to become an establishment these days?
Interestingly my assistant Lizzie(Hi Lizzie) went to the St Martins BA fashion design show last week. She said you could feel a move away from classics of the past two seasons and far more adventurous designs one the catwalk now. Good. I suspect however, that young design graduates have more of an eye for business than those of, say, five years ago. They recognize there’s validity in getting your clothes produced and people wearing them. And, more importantly, St Martins and London College of Fashion, the Royal College of Art etc. are now focusing more on the business of fashion. It’s still not easy for a graduate, but they are more business minded on graduation than ever before. Galliano (Yikes! I said his name) argues that talent will always be recognized, despite the difficulties?

You mean sooner or later? But, should a young creator first get a job in a big house (as a major designer once told me) or it would be better to try the solo route for starters?
Yes. He uses himself as the ultimate argument that you can fail and fail again. And finally, finally, if you keep trying, incredible talent will be recognized. Not sure how this theory goes down with those who have ended up bankrupt and broken by fashion… The route to success depends on the opportunities that come the young designer’s way. You take somebody like Christopher Kane who did things the textbook way – managed cleverly by his sister Tammy. He’s proved you can do it. He’s a great message for London fashion. Then there’s somebody like Peter Copping, who, I think is on the brink of the global recognition he deserves. He served at Louis Vuitton with Marc but kept under the radar, yet produced some wonderful designs. Now he’s doing wonderful things at Nina Ricci. Both routes can work. Both routes have their own advantages and disadvantages. One thing: being a success in the fashion design world is damn hard. “You pay in sweat!” (See start of ’80s TV horror, Fame for more inspirational advice)

10_Magazine_Men

I wanted to ask you, if I may, about your opinion on John Galliano, since his name came up…?
The man is clearly not well. He needs, and I hope he’s getting, help. His comments were HORRIFIC and INEXCUSABLE.
Read the rest of this entry »


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LA MAIN DANS LE SAC for Vogue Italia

June 4th, 2011

Stimuleyees and Stimuleyettes, at last, here it is – the Vogue Italia film commission for bag designers Jamin Puech… La Main Dans Le Sac / “Caught Red-Handed”

When Vogue Italia asked us to make a film for their A Short Film With section with bag designers Jamin Puech, we were at first a bit puzzled. Up to that point, all the films in the section were built around designers preparing their fashion shows, but Jamin Puech didn’t have fashion shows.



Dress and belt by Lanvin, necklace and bracelet by Andra Neen. Photo by René Habermacher.
So we drew inspiration from the opening scenes of Hitchcock’s MARNIE – we never see the face of Tippi Hedren who plays a con artist opposite Sean Connery.  We only see a silhouette do questionable things with different bags, purses and luggages… Together with stylist Michaela Dosamantes we built graphic and cinematic scenes around each bag, building up to the moment she gets caught.

Bag by Jamin Puech, glove by George Morand, suit by Max Mara, necklace and ring by Karry' O,
bracelet by Andra Neen. Photo by René Habermacher.
The title is a French expression meaning “the hand in the bag” which means that you’ve been caught in the act.
It was too perfect a title.



Left: jacket and trousers by Carven, blouse by Equipment, sunglasses by Prada, necklace by Andra Neen.
Right: coat and belt by Dries Van Noten, gloves by George Moran, necklace by Andra Neen.
Photos by René Habermacher.
Though we loved the Hitchcock soundtracks, and used it to set the mood while editing, we wanted something more contemporary and original for the sound, so we asked our past collaborator Lori Schonberg and his colleague Shane Aspegren of the Berg Sans Nipple to write something for us.



Top + pants by Giambatista Valli,  Fendi belt, Pierre Hardy shoes and Karry’O earrings.
Photo by René Habermacher.


Of course the film also benefits from the setting : caviar and seafood restaurant Prunier, by the Arc de Triomphe in Paris, where you can treat yourself to “all that comes from the sea”, including delicacies such as the “Christian Dior” oeuf en gelée with Tradition caviar.  Designed in 1925, and owned by Pierre Bergé since 2000,  the restaurant is an Art Déco jewel, featuring the work of the best artists of the time, such as I.M. Cassandre, but also of modern artists like Bob Wilson, whose installation sits at the bar.

La Main Dans Le Sac by Antoine Asseraf & René Habermacher – more info, full fashion and production credits: www.maindanssac.com

Build with Erosion, by The Berg Sans Nipple.
Special performance at Musée du Quai Branly on June 12, 2011.

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coming soon: la main dans le sac

May 12th, 2011

The Stimuleye is proud to announce its upcoming film for Vogue Italia, La Main Dans Le Sac.
Literally, “the hand in the bag”, as in “caught in the act”.

Made in collaboration with bag makers Jamin Puech, the film will debut on Vogue.it’s A Short Film With section,
featuring original music by Berg Sans Nipple.

LA MAIN DANS LE SAC

A Short Film With Jamin Puech ⎜ Directed by Antoine Asseraf & René Habermacher for Vogue Italia – Talents
Styled by Michaela Dosamantes Featuring looks by Prada, Jil Sander, Lanvin… ⎜ Starring Quinta @ IMG
Original soundtrack by Lori Schonberg & Shane Aspegren of the Berg Sans Nipple
Filmed at Prunier Paris


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